Demon on My Chest

By Nyx Murkveil | 2025-09-14_01-19-53

The weight came without ceremony, as if a brick had slipped from the ceiling and landed square on my chest. I woke to the world folded in darkness—the blackout of sleep before the world decides to wake—and a pressure that pressed back, a pressure that could only be described as the insistence of a shape that did not belong to breath or bone. My ribs hummed with the effort of drawing air, my throat scraping a sound I could barely hear, like wind rolling over a boulder at the edge of a cliff. The room around me was a pale rumor, a room that existed only because I opened my eyes and confirmed its coordinates. It had the ordinary furniture of a tired city apartment: a chair that kept time with the clock on the wall, a lamp with a warm glow that fought against the cold, the windows curtained so thickly that dawn pretended it wasn’t time yet. I tried to move, to push away the weight with the stubbornness that marks every morning I survive, yet the body refused to comply. It was not merely sleep—this was something that occurred inside the hinge between waking and dreaming, where the mind frays the frayed edges of memory and the body pretends not to notice. My fingers twitched at the edges of the quilt, then woke to sensing something else in the room: a trace of someone else’s presence, something that belonged to a world where people sat and watched you sleep with a patient, judgmental look you could feel but not fully name. That something appeared a moment later, not so much into the room as into its shadow. It was not a person, not quite—more a silhouette that wore a coat of air, a shape made from the ink of midnight with a single glowing point for eyes. It perched on the edge of my bed as if it had carved the space out of the darkness with careful hands and then decided to stay, to claim the height of the bed as a throne. Its eyes were black stars in the night, glinting with a cold light that made the ceiling seem to lean closer to me, as if to gauge the warmth I offered to the cold that held me down. The demon did not speak in a voice loud enough for the room to register—only a rasp, a sound that might have once been breath but had learned to borrow a mouth: “You forgot your debt.” The word fell like a coin into a well. Debt. It carried weight beyond money, beyond consequence, something old and personal and private that should have stayed buried in the quiet closet of a past I refused to unpack. I opened my mouth to say something—an apology, a protest, a name—but the air refused to cooperate. My lips trembled with the effort of forming syllables that never quite materialized. The demon did not rush me with violence; it waited, patient as a schoolteacher who has seen the same error a thousand times and refuses to acknowledge the relief of a student finally getting it right. It leaned forward until I could feel the chill of its presence—like a draft from an unsealed refrigerator—on my cheek, and when it spoke again, the room seemed to tilt and suddenly the night contained a scent of rain and something older: the rust of old houses, the damp memory of basements. “You owe a memory to someone who can no longer collect,” it said, in that rasp that felt like a page being turned in a book you were afraid to read aloud. “You owe a confession, or at least an acknowledgment. Name the thing you hid, name the truth you buried, and I will ease my weight.” I have always believed that sleep paralysis is a fever dream wearing the skin of reality, a trick of the brain that uses fear to teach us what we are unwilling to face when the mind is lucid. But there are times when the trick feels like a doorway you walked through while you were completely awake, times when the room takes on the smell of an attic and the air grows thinner around the chest until you feel the ribs engraved with cold. The demon’s question unspooled a long thread inside me, yanking at the loose ends I had kept bound with excuses, with polite silences, with the idea that some secrets are quieter than the world needs them to be. The memory came to me as a small, stubborn thing, a single frame that refused to stay hidden. It was not a dramatic scene, not a thunderclap of catastrophe, but a quiet moment that had become a fault line in the years since. I was a child then, older than ten, walking home from the bus stop with my mother’s tired smile and a heavy backpack that had never seemed heavy until that year. The streetlamp outside our apartment cast a yellow halo on the pavement, and the world smelled faintly of rain and the scent of the old building’s paint. We passed the corner market where the old man who knew everyone’s business sold candy that was sticky with sugar and secrets. My sister—no, not sister, not real sister—my neighbor’s girl, a girl with a laugh like wind chimes, had fallen in step beside me that afternoon, skipping and chattering about a book she couldn’t quite say aloud, because it belonged to the grown-up shelf: a story about making choices and paying the price. The memory that rose now was not a moment of triumph or rescue, but a moment of silence that deserved its own punishment. In my memory, we reached a split in the alley that smelled of wet concrete and the fish market a few blocks away, where the men shouted to advertise their catches and the air tasted like salt and old fish and something else I did not have a name for then. My mother’s hand lay warm and steady in mine, but she did not notice a figure watching from the shadow of the stairwell—a man who had no business being there, a quiet exhale of danger that passed unnoticed by a child’s bright eyes. The figure did not step forward. Instead, there was a sudden noise—a scuff, a cry that did not belong to our world—an abrupt change that erased words from our mouths and made the night itself seem to swallow the sentence we were about to utter. The girl with the wind-chime laughter—she was gone, dissolved into the alley’s darkness as if she had never existed. It happened in a heartbeat and lasted a little longer in memory, a blink that stretched into an ache. I did not tell my mother what I had remembered, not then, not ever, and that was the root of the debt. The memory, even in its youthful naivety, carried consequences I could not name. The man in the shadow was not an ordinary danger; he was a weather system that followed the family like a rumor, a whisper that remained after the lights came back on and the street returned to its ordinary hum. The memory’s burden was not a confession straightforward to tell, but a truth that would fracture the present if named aloud. So I kept it down, buried it beneath routines and apologies and the careful way I apologized for the things I could not explain. The demon’s presence watched me with a patient gravity that suggested it already knew more than it would ever reveal, or perhaps it merely understood that some debts are not settled with a single act of courage, but with a hundred tiny episodes of remembrance and courage, one nighttime confession at a time. I tried to voice a denial, a denial that would sever the thread the demon had tugged, but the breath remained stubbornly trapped, and the room grew smaller, as if the walls themselves had learned to listen. Then the demon did a curious thing. It did not press or squeeze with more weight; instead, it leaned in and whispered a name—the name of the memory’s keeper, the one who could finally hear my confession and not leave me out in the rain to rot. The name was not spoken aloud so much as it was offered to the darkness, a key slipped into a lock that had rusted closed long ago. The name did not belong to fear or to guilt alone; it belonged to a version of me I had never fully allowed to exist—the me that remembered more than I wanted to admit, the me that could not pretend the past did not whisper through the present. “Your debt is not paid by fear,” the demon rasped, voice less like a creature and more like a reminder carved into bone. “It is paid by honesty. You must tell the truth to the one who watches the gate between now and then.” I wanted to ask why we should care about what the past wants, why honesty should matter to a person who could not even sit up straight to speak without the room bending at the edges. I wanted to tell it to go away, to release me from this strange merit badge it had awarded me for remembering things best left to rot, but the dream—or the waking dream—decided that the moment was not mine to choose. The room shook with a quiet reverence as if the apartment itself was cooling to listen, as if the city beyond the window, with its sirens and its distant trains, paused to hear the confession I had never spoken. In that suspended breath, I spoke—not to the demon, not to the room, not to the past, but to the one person who could bear the weight of the truth and still return to the present with her own life intact: the child I once was, the girl who carried the memory like a ruined umbrella that refused to let the rain fall into her eyes. I spoke the name I had never spoken aloud before, a name that did not belong to the girl who ran through the alley but to a person who deserved to be named in the daylight as well as in the dark. And as the name left my lips, the demon did something I did not expect: it did not recoil in fear or rage; it exhaled, softly, as if the act of naming loosened the tight coil of the night. The room brightened a fraction, enough to reveal the corners that had gone mute when the memory rose—dust motes thrown into a slant of pale light, a photograph lying forgotten on a shelf, the old clock on the wall suddenly counting time with a more honest rhythm. The weight eased, not vanished, but softened enough for me to move a finger, a toe, then a hand, then a wrist, until the body remembered how to breathe without the choke of a secret pressing down. The demon remained by the bed, but it no longer sat on my chest with the ancient authority of a verdict delivered from on high. It was more like a spectator, a nurse of a memory that needed careful handling, a guardian who kept the gate from slamming shut again and again. The memory did not disappear; it settled into a new place where I could look at it without the old fear writhing under the skin. The room no longer felt entirely separate from the past; it felt braided into it, as if the old alley, the weathered lamplight, the distant sirens, and the weight of a child’s fear had learned to stand together in one frame. When the first light of morning finally filtered through the curtains, the demon’s hold was gone, or at least it had retreated to a place where I could pretend it was nothing more than the natural alarm of a mind that knows how to wake itself up slowly. My breath came in measured, human pulls, and the room, which had seemed to tilt with every exhale, steadied into a stillness that felt almost sacred. The city outside woke in its usual way—the faint rattle of a grateful morning, the coffee machine somewhere below starting its small, stubborn ritual, a distant dog barking at nothing and at everything—and I lay still for a long moment, listening to the ordinary noises settle into their predictable rhythm. I did not forget the memory nor pretend it had vanished. It had entered my life with a new shape, not a small secret tucked away, but a living part of me that could be spoken without collapsing into hysteria. The debt remained, in a way, but it changed its nature from something to fear into something to bear with a quiet strength. I reached for my phone and opened a note, the kind of note you write to yourself when you need to remember a thing you never wanted to keep on record: the truth you owe and the moment you chose to give it air. In the daylight, the apartment’s walls looked less suspicious, as if the shadows themselves had learned to temper their judgment. The demon, now something like an old acquaintance with a stern but gentle eye, remained in the margins of the room—not banished, but domesticated. It was no longer a figure to dread, but a reminder that there are doors you must open even when your hands tremble. The first thing I did after waking fully was to step to the mirror, not to look at the face that was there but to tell the face what the night had asked of it. I spoke softly, the way you talk to someone you are about to trust with a secret: “We will tell the truth, together, even if the truth is difficult. If the night comes again, I will listen. If you show yourself again, I will remember your name and respond with the one thing you cannot steal: honesty.” That day, I did something I had not done in a long time: I sat with a cup of coffee and wrote the memory, not as a confession of guilt but as an act of recognition. The old memory was not something to be erased or buried; it was something that could be held with care, polished and placed into a smaller, brighter light. I wrote down the details—the alley, the man in the shadow, the moment when the word debt had arrived in the room, the choice to name what had never been named. I did not embellish it into melodrama; I kept the frame true, because truth—like light—has a way of scatter into many angles and still keep the room whole. As I wrote, the apartment gave a sigh that sounded almost alive, a sound that might have been the house itself thanking me for not abandoning it to its own old secrets. When I finished the page, I folded it and tucked it into a drawer I reserved for the kinds of memories that deserve a quiet watchfulness rather than a loud scream. I closed the drawer in a careful, almost ceremonial way, as if sealing a door that had once admitted a storm into a room that needed to learn to breathe after the rain. That night I slept again, with the demon not at the edge of the bed but at a respectful distance, as if it had learned a new etiquette for visiting the living. I did not expect the weight to vanish forever. Sleep paralysis rarely announces its final exit with fireworks; it tends to slip away in the form of a lesson slowly learned. But I found something valuable in the return of that lesson: a capacity to face the past not with panic but with a plan. If the night comes again—and I know it will—the weight can be acknowledged, not fought with blind fear. I can name the memory, speak its name to the room, and allow the truth to stand there in the glow of the lamp, as ordinary as any other thing we wake up to. The demon returned once more after that healing morning, not to crush me but to stand in the doorway with its familiar, patient gaze. This time, when it looked at me, I did not shrink. I offered the simple, stubborn thing that a grown person can give to a haunting: a seat at the table of honesty. It did not vanish; it did not vanish because of a magic trick or a clever ritual. It settled into a quieter alignment with me, like a tired friend who knows you enough to stop pretending you’re not afraid. It seemed to nod, accepting that its purpose was not vengeance or punishment but the stubborn obligation to remind me of what I owed to the person I once was and to the person I am becoming. And if, on some future night, a shadow lengthens and the breath grows thin, I will recall the room on that first awakening—the cold, the weight, the raspy voice that asked for debt—and I will answer—not with denial, not with flight, but with a willingness to tell the truth that has long refused to be spoken aloud. The demon may watch, but now I know its name, and I know mine. And in that knowledge there is a different kind of sleep—a sleep that lets the chest rise with ease, the lungs fill with light, and the mind drift toward a dawn that does not pretend to forget the night but chooses, instead, to walk through it with a steadier step.